Alex is still going through hard times - the presenter is already being whispered about as a colleague who was introduced to the practice of silencing Mitch's actions. A little more, and the charges will fly directly and publicly. Besides, it's also not easy to hear how beautiful Bradley is during the week. The presenter, having taken a protégé under her wing, is actually preparing a replacement for herself. "Never doubt my integrity at work again," Alex Bradley threatens after a heavy broadcast.
How to show everyone that you have the situation under control? That's right, to arrange a charity evening in support of theater education with songs and donations of thousands of dollars, which is what Alex is doing. It is extremely important for Aniston's character to have power over circumstances. It's even scarier to watch Alex's attempts have the opposite result. In the fifth episode, the poor presenter looked like an antagonist in the finale of a passing comedy: the trick turns into a failure and all that remains is to keep her face and pretend that this was intended. But the fact is that Alex is not an antagonist. She is a simple woman who has realized that she has had enough.
It's good that in this noise about Mitch, the authors do not perceive Bradley solely as a plot device that will take the viewer behind the scenes of the "Morning Show", acting as a kind of guide. The girl receives a call from her father, with whom, obviously, she has not communicated for about 15 years. And while he admits how proud he is of his daughter, Bradley chokes back tears and orders him not to call. Further, in the best traditions of self-destruction, the heroine gets drunk and seduces a cute bartender, which actually reveals her rebellious background quite well, to which there were enough hints in previous series. However, the technique of "getting drunk and sleeping with the first person" is a rather banal move, a kind of greeting from the traditional format of a television drama.
The joint scene of Maggie and Alex is exactly what this episode needed. While Alex confidently pushes the fable about mentoring a new girl, Maggie quickly stops this flow of self-admiration: "I respect you very much, but I'm not going to write a feminist longrid about a woman who turned a blind eye to the obscene sexual behavior of her co-host."
Stress after stress - not only did the conversation with the New York Magazine journalist FAIL, but Cory is also playing his games of transferring the staff of power, the peak of which will be a joint performance of a song from the musical, to which I will definitely return. In the meantime, Alex, full of contradictions, literally runs away from her own party to see the person with whom you don't need to pretend - Mitch.
It's worth noting here that the chemistry between Jennifer Aniston and Steve Carel is almost the best in this show, so each of their joint scenes looks harmonious. However, when Mitch hints at a possible relationship ("I'm breaking up, you're not with your husband anymore, we can finally give this a chance"), Alex sarcastically replies: "Oh, yes, because every girl dreams of making a couple with a sexual aggressor." However, then these two even kiss, which in truth brings discomfort not only to Alex - I was also quite uncomfortable. The romantic line between these two can also be used as a way to confuse the situation even more. Personally, I see this plot, for example, in the following way - to make Mitch a kind of "femme fatale", destabilizing the position of the main character - Alex, introducing a little destructive sex. Sounds weird, I know. online casinos